A unique opportunity to engage with "Robert Motherwell: Early Collages", this in-gallery program focuses on the materials and techniques that the artist used to create his early works. Exhibition catalogue contributor and paper conservator Jeffrey Warda of the Solomon R. Guggenheim Museum shares his research on Motherwell’s early collages, and discusses how Motherwell chose specific types of papers, paints, and adhesives to achieve different results. A cash bar reception follows the program.
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About the artist
Devoted exclusively to papier collés and related works on paper from the 1940s and early 1950s by Robert Motherwell, this exhibition features nearly sixty artworks and examines the American artist’s origins and his engagement with collage. The exhibition also honors Peggy Guggenheim’s early patronage of the artist. At her urging, and under the tutelage of émigré Surrealist artist Matta, Motherwell first experimented with the papier collé technique. He recalled years later: “I might never have done it otherwise, and it was here that I found . . . my ‘identity.’” By cutting, tearing, and layering pasted papers, Motherwell reflected the tumult and violence of the modern world, establishing him as an essential and original voice in postwar American art. Motherwell initially produced both figural and abstract collages, but by the early 1950s Surrealist influences prevalent in these first works had given way to his distinctive mature style, which was firmly rooted in Abstract Expressionism. Robert Motherwell: Early Collages will be presented at the Peggy Guggenheim Collection, Venice, May 26–September 8, 2013, before traveling to its second and final venue, the Solomon R. Guggenheim Museum, September 27, 2013–January 5, 2014. This exhibition is organized by Susan Davidson, Senior Curator, Collections and Exhibitions, Solomon R. Guggenheim Museum.